


Piece #1
Green Whispers
Kevin Poelking
Grade 3 Difficulty
c. 5 minutes (2 movements)
I. Bloom
II. Borders
I. Bloom
(ca. 2:30)
Green Whispers brings focus to the often-overlooked beauty of nature in our urban settings. Reminding us that a solitary tree, a small garden, or a small tuft of grass can hold great beauty. The first movement portrays the gentle, patient, beautiful changes that occur when a delicate flower comes into bloom.
II. Borders
(ca. 2:45)
This movement represents the influence of manmade structures on nature’s growth. While naturally more curved, asymmetric, and “imperfect”, plants can often shape within the synthetic frames of these structures, but often grow outside of them, overwhelming the original “border” and becoming something completely organic. The steady and “square” pulse of the music (starting with the marimba) represents our border, with small, less predictable pockets of “growth” interacting with and often overtaking these borders and each other.
I found this sentiment to be well summarized in H. Ernest Hunt’s Spirit and Music:
… there are curves and sweeps in the swing of trees and grasses, in the flight of birds, and in the grace of the human form. It is significant that Nature‘s handiwork so abounds in curves, whilst that of man is fashioned so much upon straight lines with consequent sharp points and angles. Is it not obvious that Art has but scanty share in designing our towns and manufactories? Right angles, no doubt, stand for utility in a commercial age, but Nature with her longer purview has little use for them and prefers a more rounded way of progress. Nature inspires, but not in square-cut periods.
Note from the Composer:
This movement prioritizes soft, light performance with a strong, cohesive pulse from the ensemble. I have found that this style of music (much like the “Intermezzo” from Holst’s First Suite in Eb) is drastically outnumbered by “epic/ loud” band pieces and is much needed in the repertoire.

Kevin Poelking
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Winner, 2024 The American Prize
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Winner, 2024 WASBE International Composition Competition
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2022 Finalist, NBA Revelli Award
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Winner, 2019 Dallas Winds Fanfare Competition
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Winner, 2020 Minot Symphony Orchestra Young Composer Competition
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Commissions with ensembles from 4th grade through professional
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Intimate knowledge of composing from the viewpoint of an accomplished conductor with performances with The U.S. Army Band "Pershing's Own", community, university, and academic ensembles
Previous works in this category:
Previous works in a similar style:
(string orchestra version)
(trombone choir)

Piece #2
Flaxen Tresses
James M. David
Grade 4.5/ 5 Difficulty
5-7 minutes
Exciting, colorful and dynamic, Flaxen Tresses will depict a retro-futuristic cityscape of the "tomorrow that never was" inspired by great science fiction writers of the 20th century.
Featuring winds, brass and percussion equally, this piece should serve well as either a dramatic opener or closer. With an overall energetic tone, a contrasting lyrical section, and a hopefully thrilling finale, the work aspires to be the centerpiece of an audience friendly program.
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Will NOT include second oboe, English horn, contrabassoon, or harp.
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Any double reed solos will be cued as needed.
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Standard instrumentation for wind ensemble/symphonic band.
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String bass and contrabass clarinet parts included but optional.

James M. David
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Winner, 2022 NBA Revelli Award
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3-time Finalist, ABA Ostwald Award (2018,2019, 2023)
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ASCAP Morton Gould Award, NBA Merrill Jones Award
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Performances at Midwest Clinic, CBDNA Nationals, WASBE, ABA, BOA Grand Nationals, DCI Finals and over 100 total conferences
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Collaborations with The US Air Force, Army and Navy Band, the Dallas Winds, North Texas Wind Symphony, over 20 all-state bands
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Twenty years of commissions for wind band and orchestra, middle school through professional
Read his full bio here...
Consortium Details
While anyone can join, both of these works will be written with the unique characteristics of metropolitan, civic, and community bands in mind.
These works will be musically mature without extreme technical demands, filling the need for music at these difficulty levels for patient, experienced musicians who may have limited practice time.
Instrumentation will be standard concert band with appropriate cues written in order facilitate successful performances by a variety of ensembles.
What you receive:
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Your name will appear in the score as a consortium member who made this project possible
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Score and parts delivered
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Be sure that the following emails are not spam-blocked: contact@kevinpoelking.com and James.David@colostate.edu
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Exclusive performance rights (piece available to only consortium members) through May 1, 2026
Ensemble Rate: $250
(both pieces)
Your choice of physical score or PDF score + PDF parts.
You and your ensemble will be listed in the score.
Conductor Rate: $100
(both pieces)
Join the consortium as an individual.
Your choice of physical score or PDF. (No parts)
Have your name listed in the score as a supporter of this project. Parts can be purchased separately by any ensemble you will conduct on this work.
Join the Consortium
Step 2 of 2
Option #1
Pay immediately online using the buttons below
Payment indicates that you have read and understand the "Overall Consortium Guidelines" outlined above.
Join Consortium for BOTH WORKS
$250
Join Consortium for Poelking (Piece #1) Work Only
$135